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She can hear instinctively how to change a phrase - it has meaning it has her individuality, so that no one sings quite like her, and she never goes out of the concept of really doing a good job with a quality song.” HandoutĪ song that Gaga had written for the project, called “Paradise,” was scrapped due to lack of prep time, so her contribution to the album rests entirely on her interpretative skills. “She sings very naturally,” he says, “and if we do a song two or three times, she improvises throughout the performances, and each one is different. On “Goody Goody,” a 1930s kiss-off number, he sings with full-throated gusto as Gaga, playing the former lover who gets her just desserts, mopes in mock dismay from the sidelines.īennett does offer boundless praise of Gaga’s vocal talents. Other May/September collaborations may leave the younger artist to perform the vocal acrobatics, but Bennett doesn’t back down. On record, while Bennett’s voice has acquired a slightly coarser texture, it retains its power. “I’m not interested in 45,000 seats,” he laughs. He diverges only briefly from his evangelism for Gaga and their material to inquire about intimate Toronto venues for a potential tour next year expect a significant downsizing of Gaga’s stage sets. Certainly on the phone he sounds sharp - and remarkably on-message for a musician of any age. At 88, and old enough to be Justin Bieber’s great-granddad, he’s hoping to repeat that feat. He laughs when he says this, with good reason: His three albums of duets with guest stars from Bono (on Duets: An American Classic, from 2006) to Celine Dion ( on Duets II ) to Christina Aguilera (on 2012’s Spanish/English Viva Duets ), were all devoted to that repertoire, and all debuted in the Top 5 in his native U.S.
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This advertisement has not loaded yet, but your article continues below. When I went into the real world and tried to get some employment, I found out that everybody wanted to control me, and it was very tough, but I stayed with what my teachers told me: In the long run, you survive by staying with quality.” He’s adamant that Cheek to Cheek, like the work of Frank Sinatra or Nat King Cole, will never sound dated: “I have a great belief in the Great American Songbook - the record companies usually try to call it ‘old-fashioned.’ ” He recalls being “taught, at the American Theater Wing, when I was a young person coming out of the Second World War, never to compromise.
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The artist formerly known as Stefani Germanotta told the Daily Telegraph how “producers and record label people” had previously made her use AutoTune and flatten out her vibrato, and in making this album, she felt unleashed.Īnthony Benedetto’s own story resonates with her. Unshackled from the exigencies of pop production, Lady Gaga takes liberties with the beat, bends notes, purrs and whoops away. Article content I have a great belief in the Great American Songbook - the record companies usually try to call it ‘old-fashioned’
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